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Jonathan Sawday, Ph.D.

Walter J. Ong, S.J., Chair in the Humanities

Education

  • B.A. (Hons) in English Literature and Language, Queen Mary College, University of London.
  • Ph.D. in Renaissance Literature, University College London.

浪花直播 Interests

  • Renaissance literature and culture. Early modern British literature.
  • Intellectual and cultural history 1500-1700.
  • Book and print history. The history of reading.
  • Computational approaches to literary study.

Publications and Media Placements

Sawday鈥檚 occasional essays and reviews have appeared in: The Times Literary Supplement, The Times Higher Education Supplement, The Lancet, The London Review of Books, The Collation, The Daily Telegraph, Renaissance Quarterly, Bulletin of the History of Medicine, Shakespeare-Jahrbuch, Social History of Medicine, Magic Ritual and Witchcraft, The American Historical Review, Emblematica, The Scottish Historical Review, The Journal of the History of Medicine, Medical History, The English Historical Review, Isis, The London Quarterly, Prose Studies, Poetry Ireland Review, 鈥楳erica Magazine, The St. 浪花直播 Beacon, Independent on Sunday Review, The Architects鈥 Journal.

In the UK, Sawday has been a regular broadcaster on BBC Radio, presenting features and contributing to discussions on a wide variety of topics including: Robert Burton鈥檚 Anatomy of Melancholy; technology and culture; the human genome; the history of syphilis; the passing of Concorde; fear in the modern world; spontaneity (with Malcolm Gladwell); the heart; Renaissance magic and alchemy; technophobia; materialism; the brain; superheroes; blood; the great fire of London; privacy; vulgarity (with comedian Alexei Sayle and novelist Andrew O鈥橦agan). His five-part Radio series The King Returned was first broadcast on BBC Radio 3 in the UK in 2010, and he has also been a regular presenter of the BBC Freethinking Festival (Liverpool and Newcastle). His UK TV work includes writing, presenting, and contributing to programs on Renaissance anatomy (Channel 4 / Union Films); the photography of Lennart Neilson (Channel 4); student finance (BBC1); Contemporary Body Art (LWT).

His chief academic and scholarly publications are as follows:

Forthcoming Publications

  • Contributing editor, the Oxford edition of the Collected Works of Sir Thomas Browne.
  • 鈥淢onsignore Agucchi Reads a Letter: Sunspots, Secrecy, and Scientia in the Early Seventeenth Century,鈥 in Subha Mukherji and Elizabeth L. Swann (eds.), Devices of Fancy: The Poesy of Scientia in Early Modern England (Palgrave).
  • 鈥淩eflections on The Geraghty Colloquium, John Milton, Race, Gender and Power at the 2022 Conference on John Milton at Saint 浪花直播 University鈥 Milton Quarterly.

Books

  • Blanks, Space, Print and Void in English Renaissance Literature: An Archaeology of Absence (Oxford and New York, Oxford University Press, 2023).
  • Engines of the Imagination: Renaissance Culture and the Rise of the Machine (London and New York, Routledge, 2007).
  • (ed.) with Neil Rhodes, The Renaissance Computer: Knowledge, Technology in the First Age of Print (London and New York, Routledge, 2000).
  • with Ulrich Loock, Smith/Stewart (Edinburgh, Fruitmarket Gallery, 1998).
  • The Body Emblazoned: Dissection and the Human Body in Renaissance Culture (London and New York: Routledge, 1995).
  • (ed.) with Thomas Healy, Literature and the English Civil War (Cambridge: CUP, 1990).

Articles and Book Chapters

  • 鈥淎 Rhapsody of Rags Revisited: Kevin Jackson, Robert Burton, and The Anatomy of Melancholy鈥 in Juni Kvarving, Claire Preston, Robert Peett (eds), Kevin Jackson 1955- 2021 (London: Holland House Books, 2022), 161 鈥 173.
  • 鈥淓mptiness in Seventeenth Century Poetry, Politics, and Natural Philosophy鈥 Shakespeare Studies 49 (2021) 82-93.
  • 鈥樷橳hey Shall No More be Remembered by Their Name:鈥 Anatomy, Cartography, and the Renaissance Eponym鈥 Journal of Medieval and Early Modern Studies 48 (January 2018) 48 (2018) 11-40.
  • 鈥淢arvell鈥檚 鈥楤ermudas鈥 and the History of the Eleutherian Republic鈥 English Literary Renaissance 48 (2018) 60-97.
  • 鈥業 Feel Your Pain: Some Reflections on the (Literary) Perception of Pain鈥 in Tomas Macsotay, Karel Vanheasbrouck, Cornelius van der Haven (eds.), Performing and Beholding Pain 1600-1800 (Manchester: MUP, 2017) 97-114.Paperback edition December 2019.
  • 鈥The Fabrica Remade: A New Translation of the De Humani Corporis Fabrica Libri Septem (1543, 1555) of Andreas Vesalius鈥 Isis 106 (2015) 677-683. Review Essay.
  • 鈥淛ohn Wilmot and the Writing of 鈥楻ochester鈥欌 in Mathew Augustine and Steven N. Zwicker (eds.), Lord Rochester in the Restoration World (Cambridge: CUP, 2015 rpt. 2017) 17- 39.
  • 鈥楾he Heart and Monarch Reign Supreme: William Harvey鈥檚 An Anatomical Exercise on the Movement of the Heart and Blood (1628)鈥 in Michael Sappol (ed.), Hidden Treasures in the National Library of Medicine (Bethesda Maryland, and New York: National Library of Medicine / Blast Books, 2012), 86-7.
  • 鈥淭echnology and Magic in the Renaissance鈥 in Imagining Magic and Witchcraft in Medieval and Early Modern Literature: Proceedings of the International Conference co-hosted by The Medieval and Early Modern English Studies Association of Korea and The Center for Medieval and Renaissance Studies at Seoul National University (Seoul: Seoul National University, 2011), 1-13
  • 鈥楾he Failure of Technology鈥 in Nicholas Temple, Jane Lomholt, Ren茅e Tobe, Soumyen Bandyapodhyay (eds.), The Humanities in Architectural Design: A Historical and Contemporary Perspective (London and New York: Routledge, 2010), 57-70.
  • 鈥楿pgrading Humans: Re-grading People?鈥 A Transhumanist Reply to Kevin Warwick鈥, 19: Interdisciplinary Studies in the Long Nineteenth Century, 7 (2008) 1 - 11
  • 鈥楾echnologies of Writing in the Renaissance鈥 Writing Technologies 1.1 (May, 2007), online journal: [http://www.ntu.ac.uk/writing_technologies/Currentjournal/Sawday/index.ht]
  • 鈥溾橳he Chief Mystery of the Seminall business鈥: Andrew Marvell, William Harvey, Abraham Cowley and the Politics of Fertility in the Seventeenth Century鈥 English: Journal of the English Association 56 (2007) 1 鈥 19. Reprinted in: Katherine Baxter and David Walker (eds.), English: Shared Futures Virtual Issue (June 2017)
  • 鈥楾he Fortunes of Babel: Technology, History, and Genesis 11:1-9鈥 in Kevin Killeen and Peter Forshaw (eds) The Word and the World: Biblical Exegesis and Early Modern Science (Basingstoke, Palgrave Macmillan, 2007), 191 鈥 214.
  • 鈥楾he Paradoxes of Interiority: Anatomy and Anatomical Ritual in Early Modern Culture鈥 in Andrew Patrizio and Dawn Kemp (eds.), Anatomy Acts: How we Came to Know Ourselves (Edinburgh: Birlinn Ltd., 2006), pp. 1 鈥 16. Winner of The Royal Society of Medicine Library Prize for Medical Book of 2007 and for the Non-Clinical Medical Book, 2007.
  • 鈥淩obert Burton鈥 in David Scott Kastan et al., (eds.) The Oxford Encyclopaedia of British Literature 5 vols. (London and New York: Oxford University Press, 2006). I. 338-341.
  • 鈥淚n Search of the Philosopher鈥檚 Stone: Montaigne, Interiority and Machines鈥 The Dalhousie Review: Special Issue: Early Modern Interiority 85 (2005) pp. 195 鈥 220.
  • 鈥淩ematerializing the Subject: The Body in History鈥 in Ewan Fernie, Ramona Wray, Mark Thornton Burnett, Clare McManus (eds.), Reconceiving the Renaissance: A Critical Reader (Oxford: Oxford University Press, 2005) 292-3.
  • 鈥淭he Renaissance Body: From Colonization to Invention鈥 in Tiffany Atkinson (ed.), The Body: A Cultural Reader (Basingstoke and New York: Palgrave Macmillan, 2005) 12 鈥 26.
  • `鈥漇till Keep Thy Sword Erect鈥: Marvell and the Phallic Republic鈥 Ecloga (On-line Working Papers Journal) 2 (Spring 2002) [http://www.strath.ac.uk/ecloga/Sawday.html]
  • `鈥滷orms such as never were in Nature鈥: The Renaissance Cyborg鈥 in Erica Fudge, Ruth Gilbert, Susan Wiseman (eds.), At the Borders of the Human: Beasts Bodies and Natural Philosophy in the Early Modern Period (London and New York: Macmillan / St. Martin鈥檚 Press, 1999, rpt. 2002) 171-195.
  • `The Transparent Man and the King鈥檚 Heart鈥 in Diane Watt and Claire Jowitt (eds.), The Arts of Seventeenth-Century Science: Representations of the Natural World in European and North American Culture (Aldershot: The Ashgate Press, 2002) 12-21.
  • `Towards the Renaissance Computer鈥 in Rhodes and Sawday (eds.), The Renaissance Computer: Knowledge Technology in the First Age of Print (London and New York: Routledge, 2000) 29-44.
  • (with Neil Rhodes) `Paperworlds: Imagining the Renaissance Computer鈥 in Rhodes and Sawday (eds.), The Renaissance Computer: Knowledge Technology in the First Age of Print (London and New York: Routledge, 2000) 1-17.
  • 鈥樷漀ew Men, Strange Faces, Other Minds:鈥 Arthur Keith, 鈥楻ace鈥, and The Piltdown Affair (1912-1953)鈥 in Bernard Harris and Waltraud Ernst (eds.), Race, Science, and Medicine 1700-1960 (London and New York: Routledge, 1999) 259-288.
  • `Grabmode: Das Grabmal von Katharina von Medici und Heinrich II鈥 in Heide Wunder and Gisela Engel (eds.), Geschlechtperspektiven: Forschungen zur Fr眉hen Neuzeit (K枚nigstein / Taunus: Verlag, 1998) 425-440.
  • `鈥漇hapeless Elegance鈥: Robert Burton鈥檚 Anatomy of Knowledge鈥 in Neil Rhodes (ed.) History, Language and the Politics of Renaissance Prose (Tempe, Arizona: Medieval and Renaissance Text Society, 1997) 173-202.
  • `Self and Selfhood in the Seventeenth Century鈥 in Roy Porter (ed.), Rewriting the Self: Histories from the Renaissance to the Present (London: Routledge, 1997) 29-48.
  • `鈥漃oison and Honey鈥: The Politics of the Sacred and the Profane in Edmund Spenser鈥檚 Fowre Hymnes鈥 in Helen Wilcox, Richard Todd, Alistair MacDonald (eds.), Sacred and Profane: Secular and Devotional Interplay in Early-Modern British Literature (Amsterdam: VU University Press, 1996) 79-92.
  • Mastering the Deviant Will: Rembrandt, Descartes, and the Creation of Social Identity in the Seventeenth Century鈥 in Conny L枚sch (ed.), Nationalismus and Subjectivit盲t (Frankfurt: Zentrum zue Erforschung der Fr眉hen Neuzeit, 1995) 125-150.
  • `Das Um-Schreiben einer Revolution鈥 in Helmut Berding (ed.), Nationales Bewu脽stein und kollektive Identit盲t (Frankfurt, Suhrkamp, 1994) 323-341.
  • `Re-writing a Revolution: History, Symbol and Text in the Restoration鈥 The Seventeenth Century 7 (1992) 171-199.
  • 鈥樷淢ysteriously Divided鈥: Civil War, Madness and the Divided Self鈥 in Healy and Sawday (eds.), Literature and the English Civil War (Cambridge: CUP, 1990, rpt. 2011) 127-143.
  • (with Thomas Healy) `鈥淲arre is All the World About鈥濃 in Healy and Sawday (eds.), Literature and the English Civil War (Cambridge: CUP, 1990, rpt. 2011) 1-20.
  • `Reading Renaissance Poetry鈥 in Wynne-Davies (ed.), The Bloomsbury Guide to English Literature (London: Bloomsbury Press, 1989, 2nd ed. 1995) 201-222. Re-printed in Wynne-Davies (ed.), The Renaissance from 1500-1660 (London: Bloomsbury Press, 1992), 15-36.
  • `The Fate of Marsyas: Dissecting the Renaissance Body鈥 in Lucy Gent and Nigel Llewelyn (eds.), Renaissance Bodies: The Human Figure in English Culture (London: Reaktion Books, 1990) 111-135.
  • `Milton鈥檚 Dreams of Identity鈥 Milton Quarterly 22 (1988) 99.
  • Contributions to Crawford (et al.) eds. The Europa Biographical Dictionary of British Women (London: Europa Publications, 1983) 67-68, 104-105, 141-2, 430-431.
  • `The Leiden Anatomy Theatre as a Source for the 鈥淐abinet of Death鈥 in Gondibert鈥 N&Q 30 (1983) 437-9.
  • `The Mint at Segovia: Digby, Hobbes, Charleton and the Body as a Machine in the Seventeenth Century鈥 Prose Studies 6 (1983) 21-35.
  • 鈥楿nattributed Manuscript Corrections to a Poem by John Davies of Hereford鈥 N&Q 28 (1981) 40-41.

Honors and Awards

  • Summer Fellowship, Folger Shakespeare Library, Washington DC (USA)
  • Fellow, Saint 浪花直播 University 浪花直播 Institute (USA)
  • Visiting Fellow, Centre for 浪花直播 in the Arts, Social Sciences, and Humanities (CRASSH), Cambridge University (UK)
  • Chancellor鈥檚 Distinguished Visitor, University of Missouri (USA)
  • Visiting Faculty, NEH / Folger Institute, Washington, DC. (USA) in Digital Humanities
  • Visiting Scholar, Centre for Renaissance Studies, Newberry Library Chicago (USA)
  • Travel awards: British Academy (Australia, Italy); The British Council (India)
  • Fellow of the Royal Historical Society (FRHistS) (UK)
  • Fellow of the English Association (FEA) (UK)
  • AHRB 浪花直播 Leave Award (UK)
  • Fellow of the Royal Society for the Arts (FRSA) (UK)
  • Visiting Fellow, Russian State University for the Humanities, Moscow (USSR)
  • British Academy / Myers Foundation Fellow, Huntington Library (USA)
  • Visiting lecturer, Rutgers University, NJ (USA)
  • Fulbright Award (USA)
  • Major State Postgraduate Studentship (UK)

Professional Organizations and Associations

  • Editorial Boards of Journal of Literature and Science, Writing Technologies, Medical Humanities (BMJ) (2000-2012)
  • Folger Shakespeare Library, Mellon Award Advisory Committee: 鈥淔rom Farm to Table鈥 2017-2021
  • Advisory Board: Academia Scientiae (http://scientiae.co.uk/) 2014-
  • Executive Committee, Andrew Marvell Society (2016-19)
  • University of Michigan, Institute for the Humanities Executive Committee (2019-20)
  • Judging Panel, Book Award: British Society for Literature and Science (2012)
  • 鈥淓xpert Group鈥 for the Exhibition 鈥淎natomy Acts鈥 (City Art Centre, Edinburgh / Royal College of Surgeons of Edinburgh, 2006)
  • Scottish Council of Professors of English (2001-2009)
  • Standing Advisory Committee, Associated Examining Board, UK (1992-1994)